Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Wednesday, 29 June 2016

ENO: Tristan and Isolde ★★★★

Many opera lovers know that there is much luscious music to discover with Wagner’s Tristan and Isolde. The climactic love-death song that is Liebestod (otherwise known as Isolde’s Verklärung), the glorious intensity of the score alongside the romantic verse written by the German composer himself are a few reasons, out of many, as to why it is considered a landmark opera which has influenced music history. Not forgetting the tragic story where two lovers down a love potion which leaves them stuck in a world they cannot exist together in.

The English National Opera (ENO) last staged Wagner’s visceral opera twenty years ago, yet its newly appointed artistic director Daniel Kramer has introduced a new production with grand designs by award-winning contemporary artist Anish Kapoor – the man who designed the Orbital Tower at the heart of the Olympic Park and controversial sculptures for the French palace of Versailles. 


The inspiration behind Wagner’s four-hour opera includes his admiration for Arthur Schopenhauer and his metaphysical ideas of the annihilation of the self, as well as his keen interest in medieval literature and another love; a love that is revealed through various letters he wrote to the wife of his benefactor, Mathilde Wesendonch.


Although Wagner was already married, living in exile in Switzerland for his part in the Dresden Uprising of 1894, he felt compelled to write the ‘most full-blooded musical conception’. One could describe Wagner’s reasons for composing his monumental opera as a way of hammering out a message to Mathilde or releasing his own frustrations on such a sensitive situation. Regardless of his motivations, one thing that cannot be negated is the biopic nature the opera had on Wagner, where ‘words, stage setting, visible action, and music come together in closest harmony towards the central dramatic purpose.’


The ENO’s previous musical director Edward Gardner returns to his former residence, and in this case for Wagner’s Tristan and Isolde, which he performs with warmth and vitality from start to finish. The ENO Orchestra also presents Wagner’s Gesamtkunstwerk (total artwork) exquisitely - the prelude and lovely ‘Tristan chord’, which lingers throughout the opera are a wonder to hear. 

Following the nihilistic notions of Schopenhauer; the yearning for the dark, escape from the realities of the day in exchange for an existence beyond the physical, light plays a huge part of the production's staging and this is executed by Paul Anderson’s light designs, which assists Kapoor’s large scale artworks. However, some audience members may feel a bit left behind with what they see before them.

A golden stage divided by three, a huge ball sliced in half with our lovers hiding in its inner cave, and a ripped out hole, which releases blood, are the artist’s ‘vision for a complete artistic experience’, yet these abstract works can appear ambiguous unless one is familiar with Kapoor’s work. Much praise goes to the visual lighting effects that take place on stage, but a visually stimulating stage isn’t necessary for a grand opera that is already a musical masterpiece in its own right.


The production’s costumes, designed by Christina Cunningham, are filled with characteristics from a Star Wars movie, which also seem weak in relevance to the opera or Kapoor's complex staging despite their craft and sophistication.


Nonetheless, justice can be found from outstanding performances including Stuart Skelton as Tristan. His robust and silvery voice makes his Tristan a triumphant performance which is no surprise for a tenor who received positive reviews for his role as Peter Grimes at the ENO. Karen Cargill, as Brangäne, and Craig Colclough, as Kurwenal, sing effectively and energetically while Matthew Rose deeply impresses and charms the audiences as elderly King Marke. 


Making her debut at the ENO is Heidi Melton. Many members of the audience sob as she closes the opera with her version of Liebstod. Singing the role of Isolde is a tough challenge, bestowing a devoted and headstrong princess but Melton doesn't falter. She is solid in the beginning scenes, but performs best at its conclusion, rendering the auditorium speechless. It is a touching sight seeing Isolde sing romantic words, similar to a sonnet, as she holds Tristan's face - an image that will stay with me for a long time. 



Tristan and Isolde is playing at the London Coliseum until July 9. Click here to book tickets. 

Sunday, 20 March 2016

How to get cheap Opera Tickets in London, even if they are sold out



There seems to be two misconceptions about opera tickets. Firstly - a point which has been argued to death - that 'opera tickets are expensive' and secondly, once a show, or production, has sold out there is no way you can see it, ever!

As a reviewer and blogger, I have the advantage of seeing many operas in London through press tickets, however, this is not ALWAYS the case. With the amount of theatre and opera I see per week (which can range between two to five shows in a week), there are occasions where opera and theatre companies do not provide me with that complimentary ticket. This has encouraged me to seek alternative ways of gaining access to sold out shows and finding the cheapest tickets, which might not always offer the best view but still provides me with a means to view 90% of the opera, and hearing beautiful music and amazing voices.

Opera, theatre, even ballets and classical music concerts, are not only composed and written for the rich and affluent. Keen culture vultures can go and enjoy shows without breaking the bank! Alongside discounted theatre websites and (believe it or not) newspaper, magazine and online publications, actual opera companies offer reduced tickets and special offers as well! 

Here are two examples from newspaper, magazine and online publications:
For the 5-Star rated Akhnaten at the ENO, Time Out were offering 40% off on tickets. 
  • Dress Circles tickets on Thursdays, Fridays and Saturdays were £79 (now £47.40) and Upper Circle tickets were £39 (now £23.40).
  • Dress Circles tickets on Tuesdays were £59 (now £35.40) and Upper Circle tickets were £34 (now £20.40). (Click here to see the offer.)
The Daily Mail also, at times, offer £10 tickets to Sussex Opera House at Glyndebourne. Although they might not be available on ideal dates (or close to the stage), it's still a massive chunk from the usual £90+ to £200+ tickets, which is the going rate for most Glyndebourne operas. (Click here for article.)

Keeping a close eye on the schedules and calendars of your favourite opera companies, opera festivals (Grimeborn, Tête-à-Tête) or concert halls (Barbican, Royal Festival Hall, St John's Smith Square), is probably the most effective way of knowing what operas are being showed so you can prepare ahead and purchase the ticket(s) you want, before they get snapped up by someone else. 

Social media, particularly Twitter, is another way of keeping tabs on opera tickets (including returns) on the day. Sometimes fellow Tweeters (and opera lovers on other social media platforms) let people know if they have tickets up for grabs. I've been fortunate enough to meet some very generous operagoers and classical music aficionados who have offered me their spare ticket last minute through Twitter and Facebook.

I've provided a list of opera companies (unfortunately not all) that not only dispel the idea that opera tickets are expensive but provide ways for customers to see a sell out show on the cheap!

The English National Opera (ENO)

    • Cheap tickets: Balcony tickets, in the first and second rows, are worth £12, but they come with a restricted view e.g. a pole or safety bar is in front of you, but I've never been fazed by this as I tend to see the majority of the staging. These tickets sell out fast, so find out when the ENO release tickets for the opera and book early!
    • Cheap tickets: Opera Undressed (£25) (Click here for more info) I've managed to get stall seats from Opera Undressed, which is usually worth £100+. All you need to do is register and you will get an email that will indicate when you can purchase your Secret Seat ticket(s). At the end of the performance, you also get the chance to meet some members of the cast and a lovely drink (G & T) on the house. However, there's only one or two opportunities to take advantage of Secret Seats, so perhaps get a friend to register thereafter to ensure you can continue to use Secret Seats. It should be noted, however, that these tickets are targeted at newbies to opera, so for those that that are regular operagoers...
    • Cheap tickets: Secret Seat (£20) is probably the best option (Click here for more info.) Secret Seats are released during the priority booking period and are for stall and dress circles seats, which are usually priced at £30. First, you decide when to see the opera and then you book online, in advance! From those who have experience booking them, they suggest you book Secret Seat tickets for several operas in the season. The only catch is that if you book for a group, of say four, sitting next to all of them isn't guaranteed, but you're promised to sit next to at least one. Also, although the website says there are a limit on Secret Seat tickets, there have been occasions whereby operagoers have managed to get Secret Seat tickets on the day of the opera, so it is worthwhile keeping an eye on the ENO social media accounts in case they pop up.
    • Cheap tickets:Access All Arias - If you are aged 16-29 or a full time student, you can purchase stall tickets for £30, dress circle tickets for £20 and upper circle tickets for £10 through Access All Arias. You can also bring another adult with you for the same price, and purchase a programme booklet for half the price. Talk about convenient! (Click here for more information.)
    • Cheap tickets, and great for sell out shows: The £10 Standing ticket - I recently discovered this method for ENO's Ahknaten, which was completely sold out. Surprisingly, I felt that while I was watching the opera, I had a better view than those sitting in the row in front of me. You can only purchase them in person on the day, and sometimes you can buy an extra ticket for your friend if they are running late (which I was.) When I arrived at 6.30pm (for a show that started at 7.30pm) there were many standing tickets available, therefore there isn't a limit of them on the day. My advice is - just grab your opera glasses and ensure you wear the most comfortable shoes, then enjoy the show! Of course, I'm not recommending this to anyone who has been advised by their doctor to avoid activity that requires standing for a long period of time. 


      • Cheap Tickets: Upper Slips for £4 - £18 - Last year, to my joy, I discovered £4 Upper Slip tickets to see one of Tchaikovsky's ballets. I also managed to see La Traviata with Sonya Yoncheva for £14. These seats are on the side of the stage, high up, more so than the amphitheatre level, with a restricted view, yet I was pretty satisfied with what I was paying for. It's worth mentioning that it's a game of luck when purchasing these tickets - you don't know which side has the best view. Unfortunately the ROH box office doesn't know where the best side to view the production is until a week before the first night, usually the time when dress rehearsals have taken place, so you might be out of luck on choosing the wrong side to sit if you book months in advance. But there are...
      • ... Day tickets, which range from various prices. These can be cheap tickets and are great for sell out shows: On the actual day of the opera (or ballet), the ROH offers between 60 to 70 day tickets, so you can physically queue up to get a ticket of a sold-out performance. For your information, it's one ticket per person and the box office doesn't open until 10am! However, depending on the cast, conductor or popularity of the opera, you might have to get there very early. For the in-demand Tristan und Isolde production with Nina Stemme, two years ago, I queued up from 8am and managed to get an extraordinary view from the Grand Tier Boxes for £40. For Jonas Kaufmann and Eva-Maria Westbroek in Andrea Chénier, I was very tired - I queued up from 7.45am, and managed to see the hot cast from the Upper Slips for less than £20. And for the latest Il trittico, I arrived at the opera house at 8.41am and purchased an amphitheatre (S-Row) ticket for roughly £33, which allowed me to view the entire stage and see the wonderful Ermonela Jaho reprise her role as Angelica. 
      • Cheap tickets, and great for sell out shows: Phone in Day tickets - But you can't queue up on the day I hear you cry! Not to worry, from 10am you can still call the box office and see what tickets are available. When I want to see an opera on its opening night and all the seats are taken, there are standing tickets. For Wayne McGregor's ballet, The Ravel Girl, I managed to book a standing circle stall ticket for £6. Yes, £6! Again, wear comfortable shoes! Another example is this week's opening of Musorgsk's Boris Godunov with Britain's favourite baritone, Bryn Terfel where I managed to get a standing ticket for the same location, which was originally £18 reduced to £10. The reason being that it was a restricted view. The actual staging had two levels, which meant that it was hard for some, depending where they sat or stood, to see the higher level. I appreciated the fact that I was advised and made aware by the box office of this disadvantage; despite the restriction, I was still pleased with my view, though some people may not agree. 
      • Cheap tickets: Student Discounts: If you are a student, you can register to get e-mails from the ROH which will update you on special student days whereby tickets, no matter where they are located - orchestral stalls, amphitheatre, grand tier or upper slips - tickets are £10 each. During my student days, I would rely on these a lot and although they are only available on special days e.g. a weekday and not for all productions, they still give newbies an opportunity to get to see an opera live for a tenner.
      Opera Holland Park (OHP): The company offers thousands of ticket for free through their Inspire Tickets range and they go like hot cakes, so you have to apply early to get your hands on them. They also have many tickets at £17 per person. (Click here to look at last year's offer of Inspire.)
      • FREE tickets: 1,000 tickets are available for free for those aged between 7 - 18 and up to four people can apply, such as an adult and three young people. There's a deadline for applications for these free tickets, however, these seats are available for all 32 productions during the summer season. (Click here for more information)
      • FREE tickets: Patrons of the OHP (ages 60+) also have access to free tickets. Each year OHP offer 500 free tickets for the older audiences as well!
      • FREE tickets:Under-30's tickets - 300 tickets are offered to those under-30's and available to book on the phone for each production. (Click here for more information.)
      Small-scale opera productions
      Here are a few example of prices for small and local productions, which also prove how cheap opera tickets really can be.

      And for those that love chamber music and recitals, there's Wigmore Hall's Under 35s Scheme where certain performances are accessible for £5 only. (Click here for more information.)

      I have only provided a handful of examples based on my experience. If you know other ways of getting cheap opera tickets, please let me know and volunteer this information. I believe that I've provided fair examples proving that opera ticket are cheap. If this doesn't convince you that this is the case, I don't know what will. 

      Sunday, 7 February 2016

      The Pianist of Willesden Lane at St James Theatre ☆ ☆ ☆☆


       Currently showing at the St James Theatre is a heart-breaking musical feast that takes the audience back in time, demonstrating how far we have come since WWII. The Pianist of Willesden Lane is a one-woman show, originally written from the book The Memoir of Music, Love and Survival by Mona Golabek and Lee Cohen. 
       
      Reliving the past is Golabek herself who gives an up close and personal account of the most intimate details of her family’s traumatic and shocking life.  The writer and musician takes us into her personal space, speaking heroically about her mother Lisa Jura, whilst playing various piano pieces effortlessly including Scriabin’s Etude in D Minor, Beethoven’s ‘Moonlight’ Sonata and Debussy’s Clair de Lune
      Lisa is a young Jewish girl who loves to play the piano; even in silence she loves to place her fingers over the piano keys. One day, as she made her usual way to visit her piano teacher in Vienna, in preparation of playing Grieg’s Piano Concert in A Minor at the Musikverein Concert Call in the future, her life changed as soon as she arrived at his door.
      This change came from the regime's decision to make it illegal to teach Jewish children, so he told her it was best to leave immediately, and that was the last time she ever saw her teacher.
      Towards the end of 1938, the Nazi’s military power grew stronger and enforced the slaughter and persecution of the Jewish population – Kristalnacht – which was prevalent throughout the Third Reich. Yet by luck, Lisa's father managed to get a golden ticket for her to take the Kindertransport to England. 
      Golabek gives a remarkable rendition of her courageous mother through touching and tender moments. These segments included Lisa saying goodbye to her family before boarding the train, to finding a place to sleep during the London’s Blitz and, by chance, getting a scholarship to the Royal Academy of Music.

      Adapted by Hershey Felder, this visceral play steals the hearts of the audience including those new to classical music. The production has black and white footage, which provide visual context and emotional language to Golabek’s voice. These visual projections are formed by Andrew Wilder’s gold edged frames that act as a way into Lisa’s world, alongside a large Steinway grand piano for Golabek to play breathtaking variations by the great composers.
      In light of current affairs, where today’s UK government is considering taking 3000 unaccompanied children from Syria, this 90 minute play is not only a history lesson but a musical story filled with love, pathos and sweeping tension. 

      Coverage: Music into Words
      Swing by Around 8 Review
      Review: Met Opera's Live in HD: Pearl Fishers





      Monday, 16 March 2015

      V & A Museum: Savage Beauty: Alexander McQueen 2015 ★★★★★

      My written review for US review site: Culture Vulture can be found here I highly recommend you look at the photographs before or whilst reading the review to get a better picture of the exhibition, Savage Beauty: Alexander McQueen. 
      (Victoria and Albert Museum)
      London (Photos by @MaryGNguyen)
      London (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/
      Image of 'Lee' Alexander McQueen (changes to image of a skull) (Photos by @MaryGNguyen)



      Savage Mind (Photos by @MaryGNguyen)

      London (Photos by @MaryGNguyen) 
      Romantic Gothic (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/
      Romantic Gothic (Photos by @MaryGNguyen)
      Claire Wilson, curator of Savage Beauty, interviewed at press preview (Photos by @MaryGNguyen)
      Romantic Gothic (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/
      Savage Mind (Photos by @MaryGNguyen)

      Savage Mind  (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/
      Romantic Nationalism  (Photos by @MaryGNguyen)
      Romantic Primitivism (Photos by @MaryGNguyen)
      Romantic Nationalism (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/
      Romantic Primitivism (Photos by @MaryGNguyen)
      Cabinet of Curiosities (Photos by @MaryGNguyen)
      Romantic Naturalism (Photos by @MaryGNguyen)
      Romantic Exoticism (Photos by @MaryGNguyen)
      Cabinet of Curiosities (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/
      Cabinet of Curiosities (Photos by @MaryGNguyen)





      Plato's Altantis (Photos by @MaryGNguyen) http://culturevulture.net/art-architecture/savage-beauty/

      Wednesday, 31 December 2014

      A Glimpse of London Theatre 2015


      2015 is looking bright for Theatreland! Here is a sneak peek of some exciting, up and coming theatre in London.

      JANUARY


      “In 1994 this powerful story won an Evening Standard Award for Best Comedy. It also took the 1994 Writers' Guild Award for Best Fringe Play and won a 1995 Olivier Award for Best Comedy. Following the lives of a group of gay friends over a period of several years, it's set during the time when the AIDS crisis was at its most frightening.”


      "BAFTA winning and Golden Globe nominated actor James McAvoy (Filth, The Last King of Scotland, Atonement, X-Men) returns to Trafalgar Transformed, following his performance in Jamie Lloyd's Macbeth, which launched the first Trafalgar Transformed season and earned him an Olivier award nomination for Best Actor, and for the production a nomination for Best Revival."

      FEBRUARY 

       

      Three stories of Tennessee Williams - Young Vic 
      Three riveting stories of misplaced identity and sexual repression reveal the tragic consequences of isolation. Don’t miss these rarely performed Tennessee Williams one-act plays: Summer at the Lake, Auto-da-Fe and The Strangest Kind of Romance, directed by 2015 Genesis Future Directors Award winner Finn Beames.”
      Man and Superman - National Theatre “A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live. Ralph Fiennes takes the role of Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic.” 
      Othello - Rose Play House Theatre - (Click here)
      “Time Zone Theatre return to The Rose after their highly acclaimed production of ‘The Taming of the Shrew’ and 2014’s opera ‘Orpheus and Eurydice’, to present William Shakespeare’s ‘Othello’.”
      A View from the Bridge - Wyndhams Theatre - (Click here) “The Young Vic's hit production of A View from the Bridge transfers to the West End for a strictly limited season, with a stellar cast led by Mark Strong (The Imitation Game, Before I Go To Sleep) as Eddie Carbone. Don't miss this “magnetic, electrifying, astonishingly bold” production (Evening Standard) which sold out even before it opened at the Young Vic.”

      L’Ormindo -Sam Wanmaker Playhouse (click here)L’Ormindo is a comic and moving tale of the loves and betrayals of princes, its miraculous plot twists spurred on over three acts by the forces of Destiny, Love and Luck. The Globe's ground-breaking collaboration with The Royal Opera House returns after delighting audiences and critics alike during the Playhouse's inaugural season.”
      MARCH The Great Gatsby - Sadlers Well (click here)

      After its sell out success at Sadler’s Wells in 2013, Northern Ballet’s The Great Gatsby returns by popular demand. “On New York’s Long Island in the heady, indulgent days of the roaring 1920s, young Midwesterner Nick Carraway meets his infamous neighbour Jay Gatsby – a mysterious millionaire with a secret past and a penchant for lavish parties. As the sparkling facade of Gatsby’s world begins to slip, Carraway comes to see the loneliness, obsession and tragedy that lie beneath.”

      Gypsy - Savoy Theatre “Imelda Staunton delivers a "knock-out performance" (The Independent) as Momma Rose in Jonathan Kent's "dazzling revival" (Mail on Sunday) of this gloriously entertaining musical fable, that features "showstopping" (Mail on Sunday) choreography from Stephen Mear.”
      Sweeney Todd - London Coliseum (click here)
      Academy Award-winning actress Emma Thompson and international opera and concert star Bryn Terfel reprise their roles as Mrs Lovett and Sweeney Todd in this concert staging of Stephen Sondheim’s gloriously gruesome musical Sweeney Todd: The Demon Barber of Fleet Street.”
      “Following a sell-out West End run in 2014, Michael Flatley’s Lord Of The Dance: Dangerous Games returns to London this Spring.”
      APRIL The Audience - Apollo Theatre “Kristin Scott Thomas will play the Queen in a new version of Peter Morgan’s The Audience.  Stephen Daldry’s production will preview at the Apollo Theatre from 21 April 2015 and is booking to 25 July 2015."
       
      High Society - Old Vic  “You’re invited to the wedding of the year, and what a swell party it’s going to be! Cole Porter’s classic feel-good musical, High Society comes to The Old Vic in a glittering new production staged in the round.”
      JUNE  The Seagull - Regent’s Park Open Air Theatre “The first of Chekhov’s great works, The Seagull is celebrated as one of the most important plays of the nineteenth century. As guests assemble at a country house for the staging of an avant-garde open air play, artistic temperaments ignite a more entertaining drama behind the scenes, with romantic jealousies, self-doubt and the ruthless pursuit of happiness confusing lives, loves and literature.”  
      AUGUST Hamlet - Barbican Centre – It’s sold out…for now. (click here) Benedict Cumberbatch takes on the title role in Shakespeare’s great tragedy. Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, the Barbican presents an exclusive twelve-week run of this compelling new production in summer 2015.”
      SEPTEMBER Lord of the Flies - Regents Park Open Air Theatre (click here) "For just 14 performances, our critically acclaimed production of Lord of the Flies, William Golding’s classic story of survival, superstition and immorality, returns prior to a major UK tour.”
      Nell Gwynn - Shakespeare Globe (click here)It is 1660. The puritans have run away with their drab grey tails between their legs. Charles II has exploded onto the scene with a love of all things loud, French and sexy. And, at Drury Lane, a young Nell Gwynn is getting her satsumas out for the punters. Nell Gwynn charts the rise of an unlikely heroine, from her roots in Coal Pan Alley to her success as Britain’s most celebrated actress, and her hard won place in the heart of the king. But at a time when women are second class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?”