#edfringe2016: The Mikado - Cat-Like Tread ★★★★

Photos by Tom Paton, assisted ably by Scott Thomson and two very helpful prop masters. https://www.facebook.com/CatLikeTread

Cat-like Tread loves Gilbert and Sullivan and they want to share their magical music world to everyone. Having produced sold out shows, including The Pirates of Penzance and H.M.S. Pinafore, they’ve arrived at Edinburgh Fringe and tickled audiences last night at Space Triplex with everyone’s favourite sing-along-opera The Mikado.

The enthusiastic troupe allowed Nanki-Poo to have his Yum-Yum, eventually. But it wasn’t easy - the drunken stag do and hen party seemed pretty brutal with not-so-pretty hangovers which followed shortly after.

The Mikado is pickle of a story. Nanki-Poo, the Mikado’s son, doesn’t want to marry Katisha, with her dashing elbows and shoulder blades, so he runs away pretending to be a second trombone and falls in love with Yum-Yum, who is already betrothed to the Lord High Executioner Ko-Ko. But Yum Yum doesn’t want to marry the Lord High Executioner and, sadly, she has no choice on the matter, which leaves Nanki-Poo feeling very suicidal. Then as The Mikado demands an execution to take place, as there hasn’t been many going on lately, (which isn’t necessarily a bad thing, but this is fiction, so it doesn’t matter) Ko-Ko chooses to execute Nanki-Poo seeing as he is willing to top himself. The real trouble begins when they all discover that Nanki-Poo is, in fact, the next ruler of Japan, but they have many laughing gags and dance routines before their execution, which never happens because it's a comedy opera!

Directors Rae Lamond and Sarah Whitty have worked hard getting their performers sharp and poised for this fast-paced show. Gillian Robertson is on the mark as musical director as she looks to skilled pianist Jamie Wilson, who performs the entire score, and the chorus of singers and soloists. 

Dance and movement choreographies are tight with sophisticated clapping formations between the ladies of the chorus and talented performer Scott Thomson, who plays Pooh-Bah The Lord High of Everything Other!

Nick Clelland and Anna Thomson give cutesy performances as the lovers. Clelland’s wandering minstrel is weedy, but he has a heart of gold for his true love and sings lyrically throughout. Thomson’s Yum Yum is a fiery minx in a karate outfit who needs her Nanki-Poo. Thomson is a talented singer, which is shown best in her performance in The Sun whose rays are all ablaze in the second act.

Matthew  Sielewicz’s Mikado seemed to have walked out of an 80s movie. His vocals were solid and rich, with Dougal Freir giving an awesome performance singing as Ko-Ko with his very up-to-date execution list – it was as if he wrote his list off the cuff on the day; he sung about 30-year-olds playing Pokemon Go, Brexit, piano organists and those annoying people on a detox, which was a major giggle fest.

Debora Ruiz-Kordova gives a standout performance as Katisha, singing impressively and giving her all into her own characterization of the middle-aged unwanted woman of the court. There were moments in her performance where I saw the Queen of the Night from Mozart’s Magic Flute.

The opera that parodies 19th century British politicians through all things kimono and Japanese is a brilliant show with witty music, which keeps you hooked, particularly if you enjoy tapping your shoes and singing along to some witty lines. Some favourites include Behold the Lord High Executioner and Tit Willow, Tit Willow, and Cat like Tread gives warm, glowing performances for such songs, and more.

Cat-Like Tread are showing The Mikado now to August 27th. Click here to purchase tickets. https://tickets.edfringe.com/whats-on/mikado

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Charing Cross Theatre : Gilbert & Sullivan’s The Mikado ★★★★

Arthur Sullivan and W. S. Gilbert’s operetta The Mikado, which was performed 672 times at the Savoy Theatre in 1885, is popularly known for its catchy songs, amusing Japanese costumes and cheeky libretto. Now, it’s being shown at the Charing Cross Theatre under the award-winning direction of Thom Southerland, which makes a mockery of British politicians and bashes celebrity culture including witty gags about TV programmes: Towie and Goggle Box, as well as pop-icon Russell Brand and, even, Kim Kardashian.

Set in a Japanese fan manufacturer, the opera tells the story of Nanki-Poo (Matthew Crowe), the son of the Mikado who disguises himself as a second trombone to run away from his engagement to Katisha (Rebecca Caine), an older woman of his father’s court. He falls in love with Yum-Yum (Leigh Coggins) who shares mutual feelings but is told by Pooh-Bah (Steve Watts) that she is marrying Lord High Executioner, Ko-Ko (Hugh Osbourne). Due to the sudden news Nanki-Poo considers taking his life but Ko-Ko convinces him to stay alive for a month to avoid his own execution, as decreed by the Mikado, and have Nanki-poo executed in his place in exchange for Yum-Yum as his wife.  Yet as comic operas go, no one is executed, Nanki-Poo wins his Yum-Yum and the opera concludes with a grand assemble song with Japanese fans and umbrellas spinning in the air. 

Just below the stage, two grand pianos are buoyantly played by musical director Dean Austin and associate musical director Noam Galperin. They add blushes of enthusiasm and fire to Sullivan’s charming and snappy score. Southerland’s production also showcases cute dance routines like tap and circle dancing, which are lightly sprinkled in with mischievous smiles and eye-boggling jazz hands.

The loud diva voice of Katisha, sung by the distinguished theatre and opera soprano Rebecca Caine, is one to envy. Although playing a bit of the witch-esque baddie, dressed like a violet feathered Morticia Addams, she spreads sorrow on the stage through her operatic prowess with her song "Alone, and yet alive.” Coggings sings as the little, sweet and dewy-eyed Yum-Yum and it’s surprising to hear the highest and most heavenly notes come out of her small body. 

Crowe as Nanki-Poo is a pleasure to watch on stage with his own version of "A Wand'ring Minstrel I” as he walks gleefully on top of a stool. Although wobbly at holding high range notes he acts as the ideal strapping traveller and lover boy.  Osborne as Ko-Ko donnes the most interesting carpet waistcoats and injects silly sarcasm and true Gilbert & Sullivan humour to the show with Chapham as the cheeky and larking noble lord, Pish-tush and the snotty Pooh-Bah with a zillion superior roles acted by Watts. Yet Watts also suffers with a few notes sounding off; but this is to no disadvantage as his characterisation was on par particularly with the befuddling look he gives to the butterly 'Three Little Maids' (Sophie Rohan, Cassandra Mccowan and Coggins) as they shuffle and shake their butts and breasts at him - fully clothed! And baritone singer Mark Heenehan, who cut it as the commanding Juan Perón in last year’s Evita tour, played as good a regimental Mikado as he merrily sang "Mi-ya Sa-ma” despite his gold studded medallions and bossy demeanor.

I can confidently say that once you’ve settled into your seat, you’ll soon forget about your life worries with Southerland’s production of The Mikado: a wonderfully upbeat and jubilant show.

Currently showing until the 3rd of January 2015. Click here to purchase tickets. 

Photos courtesy of Kevin Wilson PR

This #themikado is lots of laughs with jokes out of Russell Brand & Towie. Jazz hands, brilliant tunes, decoration & more @CharingCrossThr
— Mary Grace Nguyen (@MaryGNguyen) December 2, 2014