Jeff Rawle on living life on the edge, not forgetting your glasses and the challenge of playing 10 prominent characters that influenced Margaret Thatcher.

Jeff Rawle, famous for his sinister role as Silias Blissett from Channel 4’s ‘Hollyoaks’ and Amos Diggory from blockbuster movie ‘Harry Potter and the Goblet of Fire’, talked to me from a small room with a bowl of soup in front of him. It was his lunch break and the soup was kindly offered by the stage management team of the West End theatre where the play, ‘Handbagged’, will be shown this April since its move from the original Tri-cycle stage

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(Rawle as Amos Diggory, father of Cedric played by Robert Pattinson from the Harry Potter movie) 

Rawle explained how excited he was to be back with the cast members from last year’s production directed by the Tri-cycle theatre’s own Indhu Rubasingham. ‘It’s the fourth day from a four-month break. It’s lovely! It’s a chance to have another go and revisit the proof reads. We have Moira Boffini, the writer, with us at rehearsals and tweaking things.’

Last year, the play sold out immediately due to its interesting nature, which looks at Thatcher’s historical and political reign. Rawle has the challenging task of playing 10 characters for ‘Handbagged’ which he described as ‘a funny, engaging and witty 80s play about Thatcher’s remarkable right into power and her relationship with the Queen and others like Ronald Reagan.’

Having had a fair share of playing multiple characters at the National Theatre’s ‘Cocktail Sticks’ and ‘The Power of Yes’, Rawle thrives on playing characters of different ranges and in this case that includes Jerry Adams, Geoffrey Howe, Ronald Regan, Dennis Thatcher, Prince Philip, Michael Heseltine, Neil Kinnock and Peter Carrington. “It is  almost impossible especially when you’re coming off and on stage in a fast speed. Sometimes you literally have three lines to change from one character onto the next. It’s fraught with disaster, especially coming on with the wrong hat or forgetting your glasses. Apart from Neil Kinnock, that is.’  Nonetheless, the hassle of grabbing his characters’ props on time hasn’t stopped him from loving them. He acknowledges Reagan’s talents with the camera and microphone as a former actor himself, but saw that Howe was closely aligned to his range physically and vocally. ‘I never voted Conservative but I thought he was sensible, erudite and a bit of a dark horse. He was the one who brought Thatcher down and spoke sense when he made that remarkable speech.’ Rawle even had the pleasure of working with Kinnock whilst filming Channel 4’s comedy show, ‘Drop the Dead Donkey.’ 

Rawle told me how he loves cooking and reading in his spare time. ‘Doing nothing is quite an art for me as I am always doing something.’ He described the trials and tribulations he experienced in his 40-year acting career where he learnt to follow good plays and writers, guessed where his next role was coming from and ‘live life on the edge,’ but not in the cool and wild sense. Yet, he is looking out for his next role, ideally something classic like Shakespeare. 

(Rawle as Silias Blissett from ‘Hollyoaks’)

As we ended our conversation, he gave me a personal account on how ‘Handbagged’ compared to Britain during the 80s. He said: “It makes you feel empowered after watching ‘Handbagged’ especially when you are old like me and had lived through it and on a day-to-day basis. I didn’t realise what was happening around me in a dangerous way and to sit back and watch it played out -10 years - in front of you is amazing. The Tri-cycle play is all razzle-dazzle and we deserve to be at the West End because we sold out quick last year.’ Be sure to get your ticket now. 

‘Handbagged’ will showcase at the Vaudeville Theatre from the 3rd April to the 2^nd August 2014.

‘The Big Debate: Should we contract our sex lives’ - Royal Court Theatre - Big Ideas Debate - March 2014

‘The Big Debate: Should we contract our sex lives,’ was a discussion amongst academics and play writers and their particular views of sexualizing partnership which took place at the Royal Court Theatre. This lively debate was organized following the theatre’s opening of the play, ‘The Mistress Contract’ by Abi Morgan. Libby Purves, presenter of BBC Radio 4 and columnist for The Times chaired the event and gave some interesting commentary to keep the debate’s juices flowing.

Alecky Blythe, the playwright for ‘The Girlfriend Experience’ drew on her interviews over the course of 18 months with self-made prostitutes from Eatbourne Brothel.  ‘Often these working girls felt they were relieving tensions through sex which was something absent at their client’s home’ and ‘keeping their marriages on track.’ As providers of conversation, hugs, sex and personality, Blythe also spoke of them as having distraught feelings and ‘broken cracks’ that came in cycles which was as hurtful as ‘splitting someone in half.’ Contracted sexual lives are evident here, but it was all a false hope based on how desirable they were to men, which they misconstrued as sexual empowerment. 

Professor Sophie Day, anthropologist at Goldsmiths (University of London) speaks from her ethnographic study during the 1980s. Much of the sex workers she had spoken to were realists and had a pragmatic approach towards their line of work which led some to believe, ‘when you say I do, it’s more of a promise… like a fairy tale romance of what might happen.’ When Day was asked about the debate, however she replied, ‘should we contract’ – I don’t know.’

Lynne Segal, Birkbeck University’s anniversary professor and academic in feminist theory and politics, had a slightly more aggressive take on the debate but gave an honest answer - ‘no.’ With much reference to Abi Morgan’s play and feminist philosopher, Simone de Beauvoir, she felt the mistress contract was an ‘illusion’ as she said, ‘ we, women are not here to titillate.’ She even spoke of female students today who become escorts to finance their education as a ‘worrying’ and ‘perilous’ act that should not be an option. 

 

(Left to Right: Purves, Day, Blythe, Segal and Tatchall)

Peter Tatchell, activist for LGBT, human rights and global justice based his judgments on his research in Thailand with male gay escorts who at their own free will prefer contracting their sex lives for earning potential compared to work at the rice fields. He suggests we abolish western practices and consider ‘flexible,’  ‘democratic’ and customized contracts that suit peoples’ circumstances extending to beneficiaries and next of kin which contracts them to certain ‘rights and responsibilities.’

There was a slightly rushed Q & A session that dealt with interesting topics including sex and the media, war and monogamy. A general consensus was not concluded on the debate, but from Blythe and Tatchell, they seemed fairly positive. To end the debate, Purves asked the audience a show of hands to those who ‘believe in monogamy… and to those who didn’t,’ and it was only a few wary hands that were left hanging at this point.